#Discussion

  • A YouTube Conversation About the Arts

    A YouTube Conversation About Writing, Teaching, Learning, and the Arts

    Watch my conversation with Sean Murphy, founder and CEO of 1455 Literary at: 
     

     

    Thank you, Sean, for these flattering comments, for the wonderful conversation, and for your important work at 1455 Literary (www.1455literary)!!!

    By Sean Murphy--It's Back to the Future with this next installment of 1455's "The 14:55 Interview":

    Known for many (MANY) years as one of the most popular --and flat out best-- teachers in the history of Fairfax County, Chuck Cascio has also spent decades writing (journalism, sports, non-fiction, and lately, fiction). He also did no small part in helping infuse purpose and passion into your humble narrator, and, as the supportive, encouraging, and exceedingly patient faculty advisor (i.e., editor-in-chief) of South Lakes High The Sentinel, inculcated a respect for the discipline--the nuts and bolts of what real writing entailed.

    So it's with great joy that I chat with "Mr. Cascio" about a great many things, including his memories of being a precocious writer-in-training stealing glances at his parents' copy of The Catcher in the Ryeand why 1968 was such a momentous year in American (and Cascio family) history, and why the theme of coming-of-age recurs in his work. Special praise is doled out to "Born to Run" and Lost in Translation (an unimpeachable one-two punch for easily recommended album and movie), a heartfelt and welcome tribute to the amazing, if under-read, Wallace Stegner.

    Chuck confesses he still needs to read Anna Karenina (don't worry, I'll keep on him, and by the way, that's always a reminder that my friend Jeanne McCulloch's remarkable memoir ALL HAPPY FAMILIES takes its title from Tolstoy's immortal opening lines). We also talk about why it's worthwhile to reach out to a writer, thanking them when their work moves you.

     

    On that note, I know I am one of THOUSANDS of appreciative students (I won't say "former" student, b/c once Chuck teaches you, you stay taught) that want to thank Mr. C. for being something rare in this world: a positive role model and inspiration. I still can picture the sweat on our brows as we cut and pasted (with a razor blade, kids) articles for another issue of The Sentinel, but I'm delighted that my happiest memories of him have yet to be made.

    Watch the interview now: 

    https://www.youtube.com/watch?v=XLznxZDM8mQ

     

     

     

     

  • Discussion Guide: The Fire Escape Stories, Volumes I&II

    It is always my honor to discuss my work with book groups. I am frequently asked if there are certain questions and/or topics that the group members should consider in advance of our session. Following is a guide that I have developed after the many discussion sessions I have led. I hope you find it helpful in your conversations! If you would like permission to distribute hard copies or digital copies of this guide, or if you would like to arrange for a book group discussion, please simply email me at chuckwrites@hyahoo.com. Thank you...and enjoy reading!--Chuck

     

    DISCUSSION GUIDE FOR—

    THE FIRE ESCAPE STORIES, VOLUMES I & II

    By Chuck Cascio

    1) What does the opening episode of Volume I imply beyond what is stated in the text?

    2) Have you ever sat on a fire escape? What did it feel like to you? What did you do there? If you have not ever sat on a fire escape, based on Volumes I&II what is the closest comparison you can make from your own life?

    3) What does the fire escape symbolize in these stories? Does the symbol change over time? If so, what does it come to symbolize?

    4) Describe how you picture the main characters--the narrator (Mikey), Sally-Boy, Big Sal, Massimo, and any others who stand out to you.

    5) Single out one secondary character whose role seems particularly significant in her/his impact on the boys' lives.

     

    nine episodes that make up Mike Burnss strongest childhood memories of living in Brooklyn New York in the 1950s. 2 2

     

    6) When Mike's family moves at the end of Volume I, what concerns for him  and expectations do you have of him as the family drives out of Brooklyn?

    7) How does the tone of the narration change in Volume II and what is the impact of that change on the reader?

    8) What does the narrator's reaction to various life events in Volume II such as racism, discovering that his neighbor is a female, seeing the increasing popularity of the Panificio and Sally-Boy's reaction to it, the JFK assassination, etc. affect you as the reader? How do those events seem to be shaping Mike's life?

    9) Identify at least three subtle events and/or passages that are most telling about the split occurring between the lives of the two boys.

    10) Has the fire escape saved anyone in these stories, symbolically or otherwise? Or does the fire escape imply the failure of attempts to save lives that are impacted by forces either outside of their control or forces that people refuse to accept?

    Copyright, Chuck Cascio, all rights reserved. For permission to make or distribute copies of this guide, please email chuckwrites@yahoo.com.